Casting
| Position | Name | Role |
| Chant / Singer | Dimitris TILIAKOS | Macbeth |
| Chant / Singer | Violeta URMANA | Lady Macbeth |
| Chant / Singer | Ferruccio FURLANETTO | Banco |
| Chant / Singer | Stefano SECCO | Macduff |
| Chant / Singer | Alfredo NIGRO | Malcolm |
| Chant / Singer | Yuri KISSIN | Medico |
| Choeur / Chorus | CHOEUR DE L'OPERA DE PARIS | |
| Compositeur / Composer | Giuseppe VERDI | |
| Costumes | Dmitri TCHERNIAKOV | |
| Décorateur / Sets | Dmitri TCHERNIAKOV | |
| Direction musicale / Conductor | Teodor CURRENTZIS | |
| Livret / libretto | Francesco MARIA PIAVE | d'après Shakespeare |
| Mise en scène / Stage Director | Dmitri TCHERNIAKOV | |
| Orchestre / Orchestra | ORCHESTRE DE L'OPERA NATIONAL DE PARIS |
Co Producers and Broadcasters (TV, cinema, Video)
OPERA NATIONAL DE PARIS, CNC, BEL AIR MEDIA, DEMETRIUS
Line producer
Anne TARDIEU
Opera recorded at the Opera de Paris in 2009, starring Violeta Urmana, Dimitris Tiliakos and Ferruccio Furlanetto.
Synopsis
Place: Scotland
Time: 11th century
Act 1
Scene 1: A heath
Groups of witches gather in a wood beside a battlefield. The victorious generals Macbeth and Banquo enter. The witches hail Macbeth as Thane of Glamis, Thane of Cawdor, and king “hereafter.” Banquo is greeted as the founder of a great line of future kings. The witches vanish, and messengers from the king appear naming Macbeth Thane of Cawdor.
Scene 2: Macbeth’s castle
Lady Macbeth reads a letter from her husband telling of the encounter with the witches. She is determined to propel Macbeth to the throne.
Lady Macbeth is advised that King Duncan will stay in the castle that night; she is determinied to see him killed (Or tutti, sorgete / “Arise now, all you ministers of hell”). When Macbeth returns she urges him to take the opportunity to kill the King. The King and the nobles arrive and Macbeth is emboldened to carry out the murder (Mi si affaccia un pugnal? / “Is this a dagger which I see before me?”), but afterwards is filled with horror. Disgusted at his cowardice, Lady Macbeth completes the crime, incriminating the sleeping guards by smearing them with Duncan’s blood and planting on them Macbeth’s dagger. The murder is discovered by Macduff. A chorus calls on God to avenge the killing (Schiudi, inferno, . . / “Open wide thy gaping maw, O Hell”).
Act 2
Scene 1: A room in the castle
Macbeth is now king, but disturbed by the prophecy that Banquo, not he, will found a great royal line. To prevent this he tells his wife that he will have both Banquo and his son murdered as they come to a banquet.
Scene 2: Outside the castle
A gang of murderers lie in wait. Banquo is apprehensive (Come dal ciel precipita / “O, how the darkness falls from heaven”). He is caught, but enables his son Fleanzio to escape.
Scene 3: A dining hall in the castle
Macbeth receives the guests and Lady Macbeth sings a brindisi (Si colmi il calice / “Fill up the cup”). The assassination is reported to Macbeth, but when he returns to the table the ghost of Banquo is sitting in his place. Macbeth raves at the ghost and the horrified guests believe he has gone mad. The banquet ends abruptly with their hurried, frightened departure.
Act 3
The witches’ cave
The witches gather around a cauldron in a dark cave. Macbeth enters and they conjure up three apparitions for him. The first advises him to beware of Macduff. The second tells him that he cannot be harmed by a man ‘born of woman’. The third that he cannot be conquered till Birnam Wood marches against him. (Macbeth: O lieto augurio / “O, happy augury! No wood has ever moved by magic power”)
Macbeth is then shown the ghost of Banquo and his descendants, eight future Kings of Scotland, verifying the original prophecy. (Macbeth: Fuggi regal fantasima / “Begone, royal phantom that reminds me of Banquo”). He collapses and regains consciousness in the castle. Macbeth and his wife resolve to extirpate the families of Macduff and Banquo (Ora di morte e di vendetta / “Hour of death and of vengeance”).
Act 4
Scene 1: Near the border between England and Scotland
A chorus of Scottish refugees (Patria oppressa / “Down-trodden country”) stand near the English border. In the distance lies Birnam Wood. Macduff is determined to avenge the deaths of his wife and children at the hands of the tyrant (Ah, la paterna mano / “Ah, the paternal hand”). He is joined by Malcolm, the son of King Duncan, and the English army. Malcolm orders each soldier to cut a branch from a tree in Birnam Wood and carry it as they attack Macbeth’s army. They are determined to liberate Scotland from tyranny (La patria tradita / “Our country betrayed”).
Scene 2: Macbeth’s castle
A doctor and a servant observe the Queen as she walks in her sleep, wringing her hands and attempting to clean them of blood (Una macchia è qui tuttora! / “Yet here’s a spot”).
Scene 3: The battlefield
Macbeth has learned that an army is advancing against him but is reassured by remembering the words of the apparitions (Pietà , rispetto, amore / “Compassion, honour, love”). He receives the news of the Queen’s death with indifference. Rallying his troops he learns that Birnam Wood has indeed come to his castle. Battle is joined.
Macduff pursues and fights Macbeth who falls wounded. He tells Macbeth that he was not “born of woman” but “ripped” from his mother’s womb. Macbeth responds in anguish (Cielo! / “Heaven”) and the two continue fighting, then disappear from view. Macduff returns indicating to his men that he has killed Macbeth. The scene ends with a hymn to victory sung by bards, soldiers, and Scottish women (Salva, o re! / “Hail, oh King!).
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