Casting
| Position | Name | Role |
| Chant / Singer | Victor BRAUN | |
| Chant / Singer | Dale DUESING | |
| Chant / Singer | Alexandru BADEA | |
| Chant / Singer | Nora GUBISCH | |
| Compositeur / Composer | Jacques OFFENBACH | |
| Costumes | Herbert WERNICKE | |
| Décorateur / Sets | Herbert WERNICKE | |
| Direction musicale / Conductor | Stéphane PETITJEAN | |
| Livret / libretto | Ludovic HALEVY | |
| Livret / libretto | Henri MAILHAC | |
| Mise en scène / Stage Director | Herbert WERNICKE | |
| Orchestre / Orchestra | ORCHESTRE DE PARIS |
Co Producers and Broadcasters (TV, cinema, Video)
FESTIVAL D'AIX EN PROVENCE
Line producer
Anne TARDIEU
It was first performed at Paris’s Théâtre des Variétés on December 17, 1864, starring Hortense Schneider and José Dupuis. While some experts (cf Grove) are of the opinion that the creation of La belle Hélène was a “largely untroubled” affair, others (cf Jacob) paint a different picture: Although Offenbach had managed at great cost to persuade Hortense Schneider, known by then as “La Snédèr”, to accept the role of Helen, the premiere remained in doubt to the very last minute. During rehearsals, La Snédèr constantly complained that the extravagant Léa Silly (as Orestes in a man’s role) was trying to upstage her: La Silly extemporized (a privilege reserved for the prima donna), La Silly imitated her, La Silly danced a cancan in her back while she was singing an important aria, etc etc. La Snédèr not only walked off the set repeatedly, but kept threatening to leave the world, or at least Paris, altogether. It took all of Offenbach’s skills at creating harmony to see the production through.
La belle Hélène was an instant success with both the public and the critics and enjoyed, some say, an unprecedented initial run of 700 performances. Premieres in Vienna (1865), Berlin (1865), London (1866), and Chicago (1867) followed shortly. It also had a run in New York City at the Grand Opera House beginning on April 13, 1871.
Dale Duesing Festival d'Aix-en-Provence, Dale Duesing Festival d'Aix-en-Provence Herbert Wernicke, Festival d'Aix-en-Provence Herbert Wernicke, Festival d'Aix-en-Provence Herbert Wernicke Jacques Offenbach, Herbert Wernicke Jacques Offenbach, Dale Duesing Herbert Wernicke, Dale Duesing Herbert Wernicke Jacques Offenbach, Festival d'Aix-en-Provence Jacques Offenbach, Dale Duesing Jacques Offenbach,
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[...] Dale Duesing – La Belle Helene – Bel Air MediaHg. Wolfgang Duesing. Tübingen: Francke, 1998. 181-93. “A Culture of the Word: Puritanism and the Construction of Identity in Colonial New England ”. … [...]